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Designer of Prince of Wales' gold crown – personal archive to be auctioned

Osman's gold model commemorating the 1969 Apollo Moon landing 
Osman's original sketches for the crown worn by the Prince of Wales 
The bowl and stand produced by Osman and Dame Lucie Rie 
Louis Osman during his wartime Army service 

5 March 2018

 

Louis Osman was a creator of genius and one of the most important British designers and goldsmiths of the 20th century. Now his personal archive will be auctioned by Dix Noonan Webb in London on 27 March 2018. The archive, which includes a gold model commemorating the Apollo Moon landing in 1969 and designs for the crown presented to the Prince of Wales for his investiture at Caernarvon Castle, is being sold by Osman’s daughter Marie-Louise Parker.

“The archive is a wonderful insight into the mind of one of the most talented and creative craftsmen of the 20
th century and the sale will be a rare chance to own a small piece of this designer’s creative history,” says Laura Smith, jewellery expert at DNW. The collection will be on view at the auction house in Mayfair the week before the sale.

The star lot is a 22 carat gold model of the Moon commissioned by a young stockbroker called Simon Horn to mark the Apollo Moon landing in July 1969. Only a small number were produced and four were sent to the United States – three of them given to the astronauts Neil Armstrong, Buzz Aldrin and Michael Collins and the other to Mrs Rose Kennedy, mother of the late US President John F. Kennedy. The example to be auctioned – expected to fetch £4,000-6,000 – remained in Osman’s possession and took pride of place on the mantelpiece in his dining room.

Osman’s most famous commission was to design a new crown to be worn by Prince Charles when he was invested as Prince of Wales at Caenarvon Castle in 1969. The Goldsmiths’ Company presented the crown to the Queen and Osman was asked to design and make it. His original sketches for the crown are being sold along with photographs, the model ‘head’ on which the crown was constructed, photographic slides of the finished crown in its travelling case and a reel of film footage of its making. The lot is estimated at £400-600.

Other items in the archive include a porcelain bowl on a silver stand, a collaborative work produced in 1984 by Osman with the famed British ceramicist Dame Lucie Rie (estimate £600-800) and material relating to the Magna Carta casket and the Victoria & Albert Museum lectern. The former is a golden box made to house and display a copy of the Magna Carta loaned by Britain to the USA as a contribution to America’s bicentennial celebrations. Designed by Osman, the box is still on display in the crypt of the Capitol Building in Washington. The lectern was designed and made by Osman at the request of Sir Roy Strong, then the Director of the V&A. The designs and other material relating to these two important pieces are expected to fetch £200-400.

Osman was born in Exeter in 1914 and educated at Hele’s School in the city. During the Second World War he was a major in the Intelligence Corps, involved in the Combined Operations Headquarters and the Special Air Service, as a specialist in air photography. Originally a talented architect, he loved details and the artists and craftsmen who made them, and it was this that eventually resulted in his career switch to become an amazing goldsmith. The crown worn by the Prince of Wales, now in the Royal Collections, London, was his most famous work but he also created many other unique pieces. In 1971 he held a magnificent exhibition of more than 100 gold artworks at Goldsmiths’ Hall in London. Graham Hughes, Art Director at the Goldsmiths’ Company, said after his death in 1996: “He was an architect, goldsmith, draftsman, art historian and art patron. Most of all, he was a creator of genius.”

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